Photography Course Tutors - Steven Vote

Can you tell us a bit about your background and how you got into photography?

Ever since I was a 12-year-old kid, photography has been one of my greatest passions. I still remember the excitement of saving up every bit of my birthday money and earnings from mowing lawns and odd jobs to buy my very first camera—a Yashica TL Electro SLR. That camera was more than just a piece of equipment; it was my first tool for storytelling. I became captivated by the idea that a single photograph could capture a fleeting moment, evoke deep emotions, and tell a story without uttering a single word. This passion for storytelling through images has fueled my journey into photography and continues to inspire me every day.

What inspired you to become a photography tutor?

Each of us has certain gifts and skills almost woven into our DNA. For me, one of those gifts has always been the joy of sharing knowledge and helping others unlock their potential. Becoming a photography tutor felt like a natural extension of this passion and purpose. There's no greater joy than inspiring someone to pick up a camera and realise the power they hold to capture their unique perspective and, in doing so, perhaps change the way we see the world. I find a profound sense of purpose in guiding students to discover their own voice through photography and watching them grow in confidence and creativity.

What are some essential skills or qualities that every photographer should possess?

Several key skills and qualities are essential for any photographer, whether they are just starting out or looking to refine their craft. One of the foundational elements to focus on is the importance of light. It's often said that photography is made up of two Greek words: "photo," meaning light, and "graphy," meaning to draw. To be a photographer is, quite literally, to draw with light. Light is the very essence of photography—it's what allows us to capture the world around us and translate it into images. Yet, light is often an overlooked element, even though it's paramount to every photograph. Understanding how different lighting conditions—whether soft, harsh, natural, or artificial—can dramatically alter the mood, texture, and story of a photograph is key to mastering this art form.

Equally significant is the skill of composition. The rules of composition in photography are much like the rules of life. Some people naturally have a strong sense of composition, just as some have an innate sense of direction in life. Others benefit from learning the principles that guide us: balance, harmony, and perspective. In photography, we explore techniques like the rule of thirds, leading lines, and framing to create images that are balanced and pleasing to the eye. But just as in life, sometimes the most compelling stories come from breaking the rules, from taking risks, and from embracing asymmetry and chaos to capture a deeper truth.

A vital aspect of photography is also the ability to see the world from different viewpoints. It’s about finding unique perspectives and pushing beyond the ordinary. Whether it involves lying down in the mud, climbing to a high vantage point, or shooting from unexpected angles, it's about the willingness to see things differently and to take creative risks. This willingness mirrors life’s challenges and the importance of being open to new experiences and perspectives.

Understanding exposure and technicalities such as aperture, shutter speed, and ISO is another critical focus. These are the building blocks of photography, enabling a photographer to manipulate light and movement, create depth, and convey emotion. Mastery over these elements allows one to shape their vision effectively, just as understanding and balancing different aspects of life enables one to navigate the world with intention and clarity.

What would you consider one of your best pieces of work and why?

Choosing a single "best" piece from the hundreds of thousands of images I've captured over the years is a nearly impossible task. Photography, for me, isn't just about creating a single standout image; it's about the journey, the moments, and the emotions captured along the way. Throughout my career, I've been fortunate to have many of my images recognized on a global scale, receiving awards that reflect my dedication to the craft. However, the concept of "best" goes beyond accolades and recognition.

To me, the best work isn't always the one that garners the most awards or applause; it's the images that resonate on a deeper, more personal level—those that capture a fleeting moment of truth, convey a powerful emotion, or tell a story that words cannot. Sometimes, my most meaningful work is the photograph that challenges me to see the world differently or helps someone else do the same. It could be a quiet portrait that speaks volumes about a person's life or a landscape that captures the raw beauty of a place at a moment that will never come again.

Much of my career has been spent as a commercial photographer, working with magazines, advertising agencies, and corporations. These experiences have sharpened my technical skills and allowed me to create visually compelling images for diverse clients. Yet, fine art photography holds a very special place in my heart. I'm humbled that my fine art work has been collected across North America, Australasia, and Europe, and I cherish the opportunity to connect with viewers through these pieces. Each work is an invitation to share my perspective—a series of fragments of time, snapshots of life—each unique, each telling its own story, and each contributing to my growth as a photographer and as a person. My journey in photography is about continually striving to capture that next meaningful moment, always mindful of the gift I'm giving to the viewer, knowing that perhaps my best work is still to come.

What is your teaching philosophy when it comes to photography?

My teaching philosophy when it comes to photography is deeply rooted in the idea that photography is not just about technical proficiency but about storytelling and connection. Every photograph is an opportunity to give a gift to the viewer—a new perspective, an emotion, or a story that words alone cannot convey. This philosophy is also reflected in my recently published book, *"Fulfilled: Unlocking Passion, Purpose, and Joy in Your Life,"* where I explore the broader themes of living with intention and creativity. I encourage my students to think beyond merely recording a moment and to consider the impact their images will have on those who view them, much like the messages I share in my book.

I emphasise the importance of curiosity, experimentation, and the willingness to take risks. Photography is a journey of exploration, both of the world around us and of our inner landscapes. I teach my students to be open to failure as a vital part of the creative process, seeing it as an opportunity for growth and learning rather than a setback. By cultivating an open mind, they learn to embrace diverse perspectives and to understand that the camera is more than a tool; it's a bridge that connects people and opens hearts.

I believe in nurturing each student's unique voice. Photography is a deeply personal art form, and each photographer brings their own vision and experiences to their work. My role as a tutor is to guide them in discovering and refining their own style, helping them to see the world through their unique lens. I strive to create a supportive and encouraging environment where students feel free to express themselves and explore their creativity fully.

Ultimately, my goal is to instill in my students a deep appreciation for the power of photography—not just as a technical skill, but as a profound way of seeing, understanding, and impacting the world. I aim to empower them to use their cameras not just to capture images, but to make meaningful contributions to the visual conversation of our time.

What are some key skills and knowledge areas you personally focus on in your courses?

I emphasise several unique approaches and techniques that go beyond the basics of photography. One of my primary focuses is on cultivating a photographer's personal vision. I encourage students to move beyond simply replicating popular styles or following trends and instead to explore their own unique perspectives and creative instincts. I challenge them to look at familiar scenes with fresh eyes or to find beauty in unexpected places, pushing the boundaries of conventional photography.

I also stress the importance of narrative and storytelling in photography. Each photograph should convey a story or evoke a specific emotion, and I guide students through the process of constructing visual narratives. This includes lessons on sequencing images, creating thematic cohesion, and using visual elements like light, color, and composition to enhance storytelling.

Another technique I emphasise is the art of observation and patience. Photography is as much about waiting for the right moment as it is about technical skill. I encourage my students to slow down and truly observe their surroundings, honing their ability to anticipate and capture those fleeting, decisive moments that tell a powerful story.

I place a strong emphasis on experimenting with light, not just in traditional settings but also in creative, unconventional ways. We explore how different types of light—such as backlighting, low light, or mixed lighting conditions—can be used to create mood, depth, and drama in an image. I also encourage students to play with shadows, reflections, and other natural elements to add layers of meaning to their photographs.

Finally, I encourage a hands-on approach to learning, where students are actively involved in shooting, critiquing, and iterating on their work. I believe in learning by doing. Whether through photo walks or creative challenges, my goal is to create a dynamic learning environment that fosters growth, creativity, and a deeper understanding of the art of photography.

By focusing on these unique approaches and techniques, I aim to help students not only master the technical aspects of photography but also develop their own unique style and voice.

Where do you draw inspiration from?

I mostly draw my inspiration deeply from humanity, with all its joys, triumphs, fables, and challenges. There is a profound beauty in the everyday moments that shape our lives, from the grand spectacles of the universe to the quiet, unnoticed details of daily existence. I see a swirling waltz of stars above me, a reminder of the vastness and wonder of the cosmos. And then, I look down at my feet and find inspiration in the tenacity and purpose of a single ant, going about its day with focused determination. Each small step it takes might seem insignificant, but with each stride, it changes its world, demonstrating a profound lesson in hard work, persistence, and purpose. To me, inspiration is everywhere, waiting to be noticed—it’s in the mundane and the extraordinary, in the moments of stillness and the chaos of life.

If we open our eyes and hearts, we can find inspiration in every corner of our world. It's about being present, being curious, and seeing the world with a sense of wonder. This mindset allows me to find beauty in both the monumental and the seemingly insignificant, understanding that every moment holds potential for a story, an emotion, or a truth that deserves to be captured and shared.

At its core, inspiration for me is not just about capturing what is visually appealing, but about engaging with the world in a deeper, more meaningful way. It is about finding the unique and capturing the emotion and essence of life. This ever-present source of wonder is what fuels my passion for photography, urging me to capture not just what I see, but what I feel and experience.

Are there any photographers you find most influential in your work?

William Eggleston, often credited with bringing color photography into the realm of fine art, is another significant influence on my work. Eggleston's ability to find beauty in the mundane and to elevate everyday scenes with his use of vibrant color and composition has deeply resonated with me. His work taught me to appreciate the emotional and narrative potential of color, something that many photographers had previously overlooked. By focusing on the seemingly ordinary neighborhood streets, gas stations, grocery stores—Eggleston showed that powerful storytelling in photography doesn't always require dramatic subjects or locations; sometimes, the most compelling images come from the most unexpected places. His influence is evident in my own approach to capturing the world around me. Like him, I strive to capture unique perspectives that convey a deeper narrative and emotional resonance. His fearless embrace of color and his commitment to capturing his personal vision of the world inspire me to push boundaries and challenge traditional notions of what is considered 'worthy' of being photographed.

Peter Lindbergh’s emphasis on authenticity and natural beauty, particularly in his cinematic black-and-white portraits, resonates with my desire to capture real, unguarded moments that reveal the true essence of my subjects.

Influential early photographers like Henri Cartier-Bresson and Robert Frank have shaped my understanding of photography’s power to tell a story in a single frame. Cartier-Bresson's concept of the "decisive moment" has been a guiding principle in my work, teaching me the value of patience and observation to capture those perfect, fleeting moments. Robert Frank’s raw, unfiltered portrayal of everyday life has pushed me to prioritize authenticity and truth in my work, even when it means capturing the unvarnished reality of a scene. Diane Arbus, with her fearless exploration of the unusual and the marginalized, has inspired me to look deeper, to find beauty and humanity in every subject, no matter how unconventional.

These photographers have provided a diverse canvas of inspiration, each contributing a unique perspective that continues to influence my work and fuel my passion for photography.

What is your Favorite part about being a tutor?

My Favorite part about being a tutor is the opportunity to uplift, encourage, and serve my students. I see my role as more than just teaching the technical aspects of photography; it's about inspiring each individual to find their unique voice and see the world through a new lens. There is a profound joy in helping students discover their potential, embrace their creativity, and realize that they have the power to tell meaningful stories through their images.

One of the most important aspects of being a teacher is empowering others to see the world differently. Photography is a powerful medium that fosters empathy and understanding by revealing different perspectives. By teaching others how to capture these perspectives, I feel I am contributing to a more empathetic and visually literate society, one that values diverse viewpoints and stories.

I also see my role as a tutor as cultivating storytellers who can use their skills to document the world. Photography is often a tool for social change, shaping public perception and awareness. By guiding my students to use their cameras not just as tools, but as instruments for change, we can make a meaningful impact on the world around us.

Another aspect I value is fostering creativity and innovation. Photography is not just a technical skill; it’s an art form that encourages creative thinking, problem-solving, and innovation. By nurturing these qualities, I help develop well-rounded individuals who think outside the box and bring unique ideas to the table, both in their work and their lives.

Teaching is also about inspiring a love for lifelong learning. Photography is a journey that doesn’t end with mastering the basics; it requires continuous exploration and adaptation. I encourage my students to stay curious, to keep pushing their boundaries, and to remain open to new experiences and ideas.

Finally, teaching photography allows me to encourage resilience and adaptability. Just as in life, photography often requires patience and the ability to adapt to changing circumstances. By instilling these qualities in my students, I hope to prepare them not just for their creative journeys but also for the broader challenges they may face.

One of the most deeply moving experiences I’ve had as a tutor is when two former students—a half-decade apart—shared that my mentorship and photography had literally saved their lives. They were in such a low place with their mental health that they had considered ending their lives. Through photography, and my encouragement, they found a renewed perspective—a way to see the world for what it truly is: a place of beauty, hope, and joy. These moments remind me of the profound impact that teaching can have, not just on a student's skill set but on their overall outlook on life.

Ultimately, teaching is about more than imparting knowledge; it’s about making a meaningful difference where possible. The ability to inspire and be inspired by my students is a privilege I deeply cherish. Hearing that my work has had such a life-changing impact on someone’s life is humbling and deeply rewarding, and it is these experiences that continually remind me of the true power of photography and the importance of teaching.

What advice would you give to new students?

My first piece of advice to new students is to embrace curiosity and remain open to the world around you. Photography is as much about seeing as it is about capturing. Approach your surroundings with a sense of wonder and be willing to look beyond the surface. Whether it's a sweeping landscape or a quiet street corner, every scene holds a story waiting to be told. Remember that your camera is a tool for exploration and expression; use it to uncover beauty, complexity, and emotion in both the grand and the seemingly insignificant moments of life. Be patient with yourself, and don’t be afraid to experiment and make mistakes. It’s through this process of exploration and trial that you’ll find your unique voice as a photographer.

Secondly, understand that photography is not just a technical skill, but an art form that requires empathy, creativity, and courage. Be bold in your approach. Don’t be afraid to take risks, push boundaries, and step outside your comfort zone. Whether you're exploring new techniques or diving into unfamiliar subjects, it’s important to challenge yourself and continuously learn. Remember that each photograph is more than just a record of a moment—it’s a gift to the viewer. Think about the story you want to tell, the emotion you want to evoke, and the impact you want your images to have. By approaching your work with intention and thoughtfulness, you can create images that are not only visually compelling but also deeply meaningful.

Think of your camera as a bridge—a powerful connector between you and the world around you. It allows you to engage with your surroundings in a deeply personal way, bridging the gap between the photographer and the subject. Through the lens, you can connect with people, places, and moments, capturing the essence of what lies before you. And just as importantly, your photographs serve as a bridge to the viewer, inviting them into your world and offering them a chance to see from your perspective. This connection—between the photographer, the subject, and the viewer—is what makes photography such a profound and transformative art form.

Finally, I encourage you to see photography as a journey, not a destination. It’s a lifelong learning process filled with both successes and setbacks. Stay resilient and adaptable, and embrace every opportunity to grow. Be kind to yourself, especially during times of doubt or frustration, and remember that every great photographer started as a beginner. Cultivate a love for the craft, keep your passion alive, and stay committed to your personal and artistic development. And above all, let your photography reflect who you are—your experiences, your perspective, and your vision of the world. This authenticity will be the most powerful element in your work and the key to truly connecting with others through your images.

A camera is more than a piece of equipment; it is a tool that builds bridges and opens hearts. It has the power to capture not just what is seen but what is felt. When you photograph with this awareness, you are not just taking pictures; you are creating connections, fostering understanding, and, perhaps, even changing perceptions. This is the true magic of photography—its ability to transcend boundaries, to touch lives, and to connect us all in our shared human experience.

Steven Vote

Charleston, South Carolina